Stalker –
part one – starts with ambient droning pads, based upon roadside picnic, sound by V Sharun, conductor E.Khachaturyan. middle eastern style sitar and flute first scene doesn’t include music which creates lots of silence compared to the previous introduction scene, doesn’t really have a musical score, mainly just on screen sounds, the film has created very genuinely a artificial place and appears very authentic, repetitive noise of the train going down the tracks, has off screen sounds that i couldn’t make out what they represented
off screen wolf scream, mostly dialogue in beginning, off screen squelching foley in mud, already having watched a quarter of the film I am not blown away by the sound it’s very minimal and silent at times , it makes the film feel very natural, first signs of music, psychedelic jangly song.
part two – birds chirping, natural water sound even though neither can be seen on screen, piano keys, metallic footsteps
the zone – let’s good pass and bad di
reading –