circularity, feedback,
used to really interest him defining sound art, doesn’t think of himself as a sound artist, interesting thing to think about( what is a sound artist) for him it’s about encounters of sound, outside of the concert hall, wide variety of comic material we can use,
uses feedback loops, percussive sounds, chords, low feedback crescendos,
when you get close to the speakers you feel the sense of danger, preventing feedback system with head between speaker and microphone, moving backwards makes feedback louder, the piece sounds beautiful and gentle and I am amazed by the piece,
small movements – electronic music that is produced entirely physically. this piece blew me away with how much is possible with feedback and how I could use it within my own works, i would’ve never thought that sound was possible with just feedback and effects, no looping and recording,
orchestra work- speakers next to performer, microphones on bow, arrangement of only love can break your heart by neil young,
listen to the room you’re in through the plastic box, you can hear voices, static
using amplification for good use, stereo repeats the phrase “i love you” while hanging to a balloon
curtain build out of 240 white earbuds, they all make sound , and sound changes depending on how far away you are from them, sounded like nature sounds which is what headphones separate us from,
microphone dragging through rocks creating a crater with sound