doing more work on the score I found it hard to keep the sounds eclectic and varied without making it sound too random and not put together. I thought about maybe keeping the score down to a few instruments and not going overboard with too many different sounds. I referred to the original score and looked at how Yosuke Inagaki did the sound behind that.
moods I will try to capture within my audio that are shown within the film – loneliness, tiredness, insomnia.
Takashi Ito Research – he drew manga before he was a director, this could show why he is so obsessed with using slow motion within his film work